Featured Article of the Month

    Alternate Bases for Your Stones


    An open-minded, innovative approach to thinking about bases


    By Richard Turner

    When a rock is set in a base it becomes a viewing stone. The base, whether it is a traditional daiza or suiban or a contemporary display, is the signifier that the rock has become a cultural object to be appreciated for its evocative qualities and formal properties. A rock without a base may harbor unlimited potential but it requires a base or a tray to realize its promise. The cost of traditional bases, especially carved wood diaza, can be prohibitive and it can be difficult to find someone with the skills and experience necessary to mount a rock in a carefully fitted base. Carving your own diaza is laborious and time consuming. Not only do you have to master the many steps of this demanding process, you have to invest in a workshop of hand tools and power tools. A practical alternative, however, is to employ alternative objects and materials as bases for your stones. This requires an open-minded, innovative approach to thinking about bases. Here are a few suggestions to get you started.

    One place to begin is to think of the material aspects of your stone—its color and texture. Does it appear hard or soft, rugged or smooth? Is it craggy or rounded? Choosing a material that complements these perceived qualities can be a simple exercise in understanding your stone. There are many options. An easy choice is a piece of fine-grained hardwood which you can then sand and stain if you so choose. Weathered wood, driftwood, a cross-section of a tree, a tangle of roots, a branch are all possibilities as well. Engineered wood products such as high-density fiberboard and particle board also have qualities that may suit your stone. If you don’t have power tools of your own, you can usually have your chosen material cut to size at the store. You don’t need to stop with wood and wood products. Home improvement stores also sell materials like floor tile, carpet squares, fiber-cement board, concrete pavers and bricks that can be handily adapted as platforms for your stones. A visit to more specialized outlets such as a metal supply shop or a plastics store will expand the range of possible materials. Take your rock with you as you explore. You never know what unexpected matches may occur. If you find a material that you like but that doesn’t quite work, there is always the possibility of coloring the base with stain or paint, distressing it to give it a more irregular texture or sanding and finishing it with a clear sealer or a glossy resin or rubbing it with oil. 

    A second approach is to use a ready-made object as a base. In some ways this is easier than choosing a complementary material for your base because you don’t have to consider the option of modifying its size or shape. On the other hand, finding an existing object that is the right size, proportion, color and material for your stone may take a while. A good place to start shopping is stores that sell household goods like kitchen supplies, trays, dishes, vases, etc. Shallow baking pans and serving trays spread with sand can become suiban. Plates can be used to stage stones. Cutting boards also make handsome platforms for stone display. Small pots and vases are useful for displaying vertical stones. Placemats, napkins and pieces of fabric can be used as colorful stages for single or multiple stones. Remember that each ready-made object has a character of its own and myriad associations that you and others bring to it depending on its place in a home and its former life as a utilitarian object before it became a viewing stone base. 

    Beyond home improvement stores and stores that sell household goods there are numerous specialty shops to explore— bookstores, antique stores, thrift shops, pet stores, etc. Keeping an eye open for a potential base can make even the most mundane outing interesting. And then there’s also your personal trove of objects to consider—anything from an item sitting on a shelf in your garage to a treasured family heirloom could be used for a viewing stone base. You might even consider using another one of your stones as a base.

    Article List by Category

    Stone Types from Around the World
    Chinese Wax Stones Malaysian Stone Appreciation Chinese Ying Stones, The Tiny Ones Japanese Sado Island Akadama Stones Viewing Stone(s) and Considering Art Is There a Role for the Playful Stones in Viewing Stone Appreciation?
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    Chinese Chrysanthemum Stones (Juhuashi) Chinese Pan Gong Shi: Ancient and Beautiful Inscribed Stones-An Example Viewing Stones of the Lombardy Region of Italy The Iwasaki Family Numbered Stones
    Chinese Rain Flower Pebbles (Yuhua shi) Dali Marble from Yunnan China, Part 1 Japanese Furuya Stones Viewing Stones of Malaysia & Singapore Nail and Structure Stones: Viewing Stones or Building Materials?
    Chinese Kun Stones or Kunshan Stones Dali Marble from Yunnan China, Part 2 Contemporary Viewing Stones Displays The Concept of “Dongtian” in Chinese Stone Appreciation Yojuro and His Namesake Stones
    Taihu, The Famous Chinese Lake Tai Stone The Use of Coral as Viewing Stones in China Chinese Jiulong Bi (Nine Dragon River) Stones Chinese Rock Landscape Trays (Rock Penjing) Treasures of the Yuha Desert
    Petrified Wood in China Chinese Stone Museum of Wuhan Can Minerals be Viewing Stones? My Suyuan Shipu Stone The Ying Stones of Southeastern China
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    The Stones of the Gobi Desert, Part 1 Chinese Grass Flower Stones Can Meteorites be Viewing Stones? Japanese Toki-ishi, Colorful Petrified Wood Korean Beach Stones or Sea Stones (Haeseok)
    The Stones of the Gobi Desert, Part 2 Viewing Stones of the Namhan River, Korea The Kamuikotan Stones of Hokkaido Abstract Stones, Understanding and Appreciating, Part I A Gift of a Lifetime: Kemin Hu’s Donation to the National Bonsai and Penjing Museum.
    Korean Suseok A Wonderful Old Bonsan Japanese Earth Stones Turtle and Turtle Shell Stones Can Fossils be Viewing Stones?
    History People People Exhibitions Art & Aesthetics Art & Aesthetics Practices & Methods
    A Trip to Lingbi County, China Conversation with a Stone Connoisseur A Novel Way to Appreciate a Landscape Stone China Kunming Pan Asian Stone Expo Criteria for Evaluating Stones, Part 1 Kobayashi Kunio to lead the Japanese School of Keido Alternates to Traditional Wood Bases
    Shilin Pinnacle Karst National Park Shanghai Contemporary Bases for Viewing Stones The Shanghai Hu Tai Road Stone Market and The Shanghai Viewing Stone Association Elements of Success-The Sixth Japanese Suiseki Exhibition Criteria for Evaluating Stones, Part 2 Bases and the Oldness Concept in Stone Displays Collecting Stones in Northern California
    Stone Appreciation in Italy and the AIAS Yoshida Bonseki, Hokkaido’s Premier Stone Collector Cultivating Viewing Stone Appreciation: Bonsai Winnipeg’s Evolution Reshaping, An Exhibition of Stone Art How Philosophy and Folklore Have Influenced Wood Base Styles. Suisekido and the Genko-kai Exhibit The Importance of Storage Boxes (Kiribako) and Box Writing (Hakogaki) in Viewing Stone Appreciation
    Stone Appreciation in the U.S. China Kunming Pan Asian Stone Expo My Collection: What to Do with It? Scholars’ Rocks, Itineraries of Chinese Art Modern Display Spaces-Post Tokonoma A Novel Way to Appreciate a Landscape Stone The Role of the Wood Base in Stone Appreciation
    Suiseki in Australia Stones in Art Aiseki Club Toyota, A Model Club to Emulate Seventh Hokkaido Suiseki Federation Exhibition Orienting Stones for Display We Move Stones So that They Can Move Us Worked versus Unworked Stones
    The Alashan Stone Museum and Festival A Modern Concept in Chinese Stone Display Stones at the 2018 Combined European Conventions Stones in Art Going beyond the form to appreciate classical Chinese scholars rocks
 Shanghai Contemporary Bases for Viewing Stones
    Viewing Stones of the Philippines Washington State Viewing Stone Enthusiasts The XXI National AIAS Congress 2018, Florence, Italy Stones in Poetry, a Long Tradition Continued Alternate Bases for Your Stones Modern Display Spaces-Post Tokonoma
    Washington State Viewing Stone Enthusiasts The 5th Japan Suiseki Exhibition Ten Views of a Lingbi Stone, a Major art Exhibition What is a Viewing Stone? My Suyuan Shipu Stone
    The Tonglushan Copper Mine in China Yoshida Bonseki, Hokkaido’s Premier Stone Collector The Combined 38th All Japan Aiseki Association National Exhibition and the 2018 Hokkaido Suiseki Federation Exhibition Scholars’ Rocks, Itineraries of Chinese Art Harada Kazuya, Japan’s Master Daiza Carver
    Viewing Stones in Taiwan Elements of Success-The Sixth Japanese Suiseki Exhibition A Japanese Shohin Suiseki Exhibition A Modern Concept in Chinese Stone Display The Use of Spalted Wood Panels in Small Stone Displays
    Introducing Indonesian Stones Stones in Poetry, a Long Tradition Continued The 5th Japan Suiseki Exhibition Shanghai Contemporary Bases for Viewing Stones The Role of Accompanying Objects in Viewing Stone Appreciation
    Introduction to Japanese Suiseki Seventh Hokkaido Suiseki Federation Exhibition The Use of Spalted Wood Panels in Small Stone Displays Evidence of the Use of Chinese Stones in Japan during the Meiji (1866-1925) Role of Trays in Viewing Stone Displays, Part 1
    Chinese Scholar’s Rocks-Lessons from a Major Auction. Reshaping, An Exhibition of Stone Art Small Stones, Worlds Apart The Katayama School of Keido The Role of Trays in Viewing Stone Displays, Part 2
    Evidence of the Use of Chinese Stones in Japan during the Meiji (1866-1925) Enhancing the Stone: The Chinese Tradition Part I Learning from Exhibitions: The 46th National All Japan Aiseki Exhibition The Role of the Wood Base in Stone Appreciation Options in Displaying Boat Shape Stones
    Italian Stone Exhibition, Implications from the 2016 Exhibition Enhancing the Stone: The Chinese Tradition Part II Sparking Minerals and Poetic Stones The Concept of Linglong in Chinese Stone Appreciation The Role of Lichens in a Natural Viewing Stone
    Native South Korean Stones Ten Views of a Lingbi Stone, a Major art Exhibition Suisekido and the Genko-kai Exhibit Viewing Stone(s) and Considering Art Yojuro and His Namesake Stones
    Japanese Chrysanthemum Flower Stones Part 2 The XXI National AIAS Congress 2018, Florence, Italy The Shanghai Hu Tai Road Stone Market and The Shanghai Viewing Stone Association A Lesson in Viewing Stone Connoisseurship Treasures of the Yuha Desert
    Viewing Stones in Indonesia A Japanese Shohin Suiseki Exhibition Cultivating Viewing Stone Appreciation: Bonsai Winnipeg’s Evolution The Beauty of Small Stones Provenance, Documentation & Attribution
    The Murata Family’s Contribution to the Development of Japanese Suiseki A Lesson in Viewing Stone Connoisseurship Stones of the 43rd Taikanten, Kyoto, Japan, 2023 Patina in Viewing Stone Appreciation Learning Viewing Stone Appreciation Practices: Copy First, Then Adapt
    The Iwasaki Family Numbered Stones Viewing Stones of Southeastern Alaska All Japan Aiseki Association’s 16th Kansai Exhibition The Role of Shape and Form in Viewing Stone Appreciation Stone + Context = Art
    Suiseki – The Art of Viewing Stone Appreciation in India The Murata Family’s Contribution to the Development of Japanese Suiseki The Exhibition of Japanese Suiseki Masterpieces—The Meihinten The Role of Accompanying Objects in Viewing Stone Appreciation Bases and the Oldness Concept in Stone Displays
    A Gift of a Lifetime: Kemin Hu’s Donation to the National Bonsai and Penjing Museum. Small Stones, Worlds Apart Aiseki Club Toyota, A Model Club to Emulate Role of Trays in Viewing Stone Displays, Part 1 A Novel Way to Appreciate a Landscape Stone
    What Makes a Stone Exceptional? A Look at a Special Stone The Iwasaki Family Numbered Stones Impressions of the 62nd Meihinten (Japanese Suiseki Masterpieces) The Role of Trays in Viewing Stone Displays, Part 2. My Collection: What to Do with It?
    Viewing Stone Classification Systems: Pros and Cons Who Carved my Base? A Guide to Base Carvers 2025 Aiseiki Club Toyota Exhibition What is Biseki? A Wonderful Old Bonsan
    Korean Suseok, An Introduction Suiseki – The Art of Viewing Stone Appreciation in India The Role of Lichens in a Natural Viewing Stone Going beyond the form to appreciate classical Chinese scholars rocks

    Kobayashi Kunio to lead the Japanese School of Keido The Kiyosumi Garden, Tokyo Viewing Stone Classification Systems: Pros and Cons
    Learning from Exhibitions: The 46th National All Japan Aiseki Exhibition Stone + Context = Art Buying Viewing Stones on the Internet
    What Makes a Stone Exceptional? A Look at a Special Stone Abstract Stones, Understanding and Appreciating, Part 1
    Suisekido and the Genko-kai Exhibit Abstract Stones, Understanding and Appreciating, Part II